iTunes

Audio News for The Bow of Hart Saga!

Hey everyone! It’s been a busy few weeks for me and time has been short. There has been some interesting news from my audio publisher, Podium. First, a little background.

Podium Audio discovered my work back at the end of 2016, something I almost missed at the time. Suffice it to say that in early 2018, I signed with Podium and they published all three of The Bow of Hart Saga books in audio by the end of that year.

The audiobooks have always been distributed through Audible only. Since the company’s inception, Podium preferred this retail platform over all others which has been their business model that’s worked well for them as they’ve grown quickly. They were even part of the SFWA virtual conference production this year. Lately, they’ve been gaining partnerships with more voice talent which is excellent news.

This past week, I received and email from my Podium representative informing me that all three books are now non-exclusive, meaning they are no longer exclusive to Audible. That’s right, you can find them most anywhere audiobooks are sold including Chirp, Apple, Kobo and Overdrive.

This development was a surprise to me but I welcome seeing the move to wide distribution of the audio format. Who knows, maybe they will got to physical copies too, but this is one change I like. I’ve wondered if I needed to go back wide with The Bow of Hart Saga and this has me seriously considering the change. I moved the series to KDP Select and access to Kindle Unlimited. The move was very helpful at the time but I’ve still wondered if it was the best move over time. I’ve also considered the move back for other reasons and this might just jolt me into a decision. I won’t be hasty, but it is worth the consideration.

For now,  I include the links for the audiobooks at the retailers I know about at this time. As I discover more, I’ll get them posted.

That was the big development for the moment. However, I’m also considering another move with the site to further develop it and also bring in more fantasy related posts between my own. It’s another move that has been on my mind for a while and one that, if I make the right moves, I think will enhance the site for readers while making it easier for me to manage engaging posts regarding the genre.

Anyway, here are the new links and I’m in process of updating the audiobook pages too so bear with me on that front.


The Bow of Destiny

Chirp  Apple   Kobo  Overdrive  Audiobooks.com Barnes & Noble (Nook Audiobooks)


An Arrow Against the Wind

Chirp  Apple  Kobo  Overdrive  Audiobooks.com Barnes & Noble (Nook Audiobooks)


The White Arrow

Chirp  Apple  Kobo  Overdrive  Audiobooks.com (not available yet)  Barnes & Noble (Nook Audiobooks)


That’s all I have for today. Thanks for stopping by. I will announce the site changes when the time comes as well as the print release of The White Arrow. Feel free to leave your thoughts in the comments and share this post wherever you wish.

Fantasy Friday! The Bow of Destiny Commentary Pt. 2: The “Fit”

Introduction

I thought it would be interesting to share some commentary about the beginning of The Bow of Destiny now that the book has been out for a while, sold well and the next book should be released in just a few months. The Bow of Destiny has a curious beginning for many people that’s at once perplexing, confusing and intriguing. This effect is done on purpose and I’ll share a bit about it now.

The Bow of Destiny is written using the technique of deep point-of-view where readers hopefully become deeply engaged with the perceptions of the point-of-view character. There are a few other aspects mixed into this, one being that there are little, to no, dialogue tags in the book – all the dialogue is contextual. Secondly, with the deep point-of-view, internalization is signaled – or tagged – with physical actions by the character. As such, the internal thoughts, mood and emotions of the character are not italicized since these are deep enough into the chracter-reader engagement to not be set apart in such a way. Lastly, when italics are used it is for a specific, ongoing experience for the POV character. In such cases, hallucinations, dreams, memories, visions and other such experiences of the character are italicized as a special indicator that something different is happening for the character. I also used a present tense instead of past tense to cue the reader that this is a present experience for the character. It’s important to note that the tense only has changed and not the character POV.

The Fit

Athson has been afflicted with what he terms “fits” since he was orphaned. Something in his surrounding environment can set off these episodes where he re-lives his past – sometimes overlaid with his present. It’s actually a PTSD-like reaction to the violence of his past and can leave him rather confused

On top of this, Athson also sees other things like Spark, an imaginary mountain hound that’s been at his side since the incidents described in the first chapter. Athson takes an elven concoction called Soul’s Ease to prevent him from having “fits” or seeing Spark.

The opening scene gets confusing for Athson because he’s forgotten his Soul’s Ease. The instances of italics in this case are when Athson sees his traumatic past – in present tense. It emphasizes that something different is ongoing within Athson’s awareness. If you – as the reader – are confused, then it’s all good because Athson is confused and you are really deeply into his experiences. However, it’s important to remember that the character point-of-view does not change – only the tense has changed to emphasize Athson’s (in this case) experience has changed.

Athson knows that these “fits” give him a hard time differentiating what he sees for days so he assumes things like Spark are not real. However, these seem very real to him and he often gets caught up in them anyway – such as interacting with Spark.

Conclusion

So this is another layer to Athson’s point-of-view in the opening scene. As you can see, there are a lot of different aspects to this scene that might get overlooked. However, if you read it again you’ll see the clues along the way. By the way, there are a number of other subtleties throughout the book that you might find interesting on re-reading.

Next week, I’ll dig a little deeper into this opening scene and attempt to offer a bit more about Athson’s state of mind. I found this scene difficult, tricky and daring all at once so there are a lot of layers to what’s going in with Athson that set the stage for the whole story. Thanks for reading today. Please leave comments below and check back next week for another post about this topic.

To find out more about The Bow of Destiny, click over to one of these online retailers:

Amazon

IMG_4154-EditAbout the Author

P. H. Solomon lives in the greater Birmingham, AL area where he strongly dislikes yard work and sanding the deck rail. However, he performs these duties to maintain a nice home for his loved ones as well as the family’s German Shepherds. In his spare time, P. H. rides herd as a Computer Whisperer on large computers called servers (harmonica not required). Additionally, he enjoys reading, running, most sports and fantasy football. Having a degree in Anthropology, he also has a wide array of more “serious” interests in addition to working regularly to hone his writing. The Bow of Destiny is his first novel-length title with more soon to come.

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The Bow of Destiny Commentary Pt. 1: The Beginning

the-bow-of-destiny-by-p-h-solomon1I thought it would be interesting to share some commentary about the beginning of The Bow of Destiny now that the book has been out for a while, sold well and the next book should be released in just a few months. The Bow of Destiny has a curious beginning for many people that’s at once perplexing, confusing and intriguing. This effect is done on purpose and I’ll share a bit about it now.

The Bow of Destiny is written using the technique of deep point-of-view where readers hopefully become deeply engaged with the perceptions of the point-of-view character. There are a few other aspects mixed into this, one being that there are little, to no, dialogue tags in the book – all the dialogue is contextual. Secondly, with the deep point-of-view, internalization is signaled – or tagged – with physical actions by the character. As such, the internal thoughts, mood and emotions of the character are not italicized since these are deep enough into the chracter-reader engagement to not be set apart in such a way. Lastly, when italics are used it is for a specific, ongoing experience for the POV character. In such cases, hallucinations, dreams, memories, visions and other such experiences of the character are italicized as a special indicator that something different is happening for the character. I also used a present tense instead of past tense to cue the reader that this is a present experience for the character. It’s important to note that the tense only has changed and not the character POV.

There are other details to consider in the opening of the book of which a reader should be aware. For instance, Athson is hunting small game when the story begins and he has a choice between his prey, a pheasant and a wild rabbit. This signifies that Athson will be presented with choices all along his upcoming journey in the series. Athson believes that he’s making the best choice for his shot with his bow and arrow – the easiest one. However, when presented with more information, he makes a split-second decision and changes his aim to the pheasant.

AthsonThis quick change from rabbit to bird amid varying wind conditions shows that Athson is an expert with the bow. He is also functioning under the belief that he makes good and wise decisions with the information he has. Thus the stage is set for him to begin making decisions which become increasingly difficult and challenging to him and the overall outcome. This one decision shows both what the character thinks about himself and his relationship to his world and that this belief will be challenged in ways he has not considered.

Athson is a challenging character for many reasons, some of which I’ll get into during some upcoming commentary about him in this opening set of scenes. However, Athson’s choice, mixed with the discussed aspects of writing this blog series, couple to allow the reader to experience Athson’s belief in himself for good or bad.

Next week, I’ll dig a little deeper into this opening scene and attempt to offer a bit more about Athson’s state of mind. I found this scene difficult, tricky and daring all at once so there are a lot of layers to what’s going in with Athson that set the stage for the whole story. Thanks for reading today. Please leave comments below and check back next week for another post about this topic.

To find out more about The Bow of Destiny, click over to where you can also find it in Kindle Unlimited and now Audible (Whispersync available):

Amazon

IMG_4154-EditAbout the Author

P. H. Solomon lives in the greater Birmingham, AL area where he strongly dislikes yard work and sanding the deck rail. However, he performs these duties to maintain a nice home for his loved ones as well as the family’s German Shepherds. In his spare time, P. H. rides herd as a Computer Whisperer on large computers called servers (harmonica not required). Additionally, he enjoys reading, running, most sports and fantasy football. Having a degree in Anthropology, he also has a wide array of more “serious” interests in addition to working regularly to hone his writing. His first novel, The Bow of Destiny was named 2016 Book of the Year by Fantasia Reviews and is the first book of The Bow of Hart Saga. The sequel novel, An Arrow Against the Wind, was released in April of 2017 and was named Fantasia Reviews 2017 Book of the Year. The third book of the series, The White Arrow, was released October of 2017. P. H. Solomon also authored the award winning short story, The Black Bag, which won best published short story at SCWC 2012. P. H. is also a member of Science Fiction and Fantasy Writers of America (SFWA).